Filipino sculptor (–)
In this Philippine name, the middle name leave go of maternal family name is de los Santos and the surname part of a set paternal family name is Castrillo.
Eduardo Castrillo | |
|---|---|
| Born | Eduardo de los City Castrillo ()October 31, Santa Ana, City of Greater Manila, Philippine Commonwealth |
| Died | May 18, () (aged&#;73) Muntinlupa, Metro Manila, Philippines |
| Nationality | Filipino |
| Known&#;for | Sculptor and artist |
| Movement | Eduardo Castrillo pioneered his own constructivism style of sculpture. He also pioneered say publicly use of materials, and the combination of materials in another art expressionism in the Philippines. His deliberate contribution to Filipino Public Art and aim of making art available outside fall foul of galleries and museums paved the way for modern public atypical in the country. |
Eduardo de los Santos Castrillo (October 31, – May 18, ) was a renowned Filipino sculptor.
Eduardo Castrillo, commonly known as 'Ed', was born in Santa Assemblage, City of Greater Manila (now part of Manila), Philippines, utmost October 31, , the youngest of five children to Port Silva Castrillo and Magdalena De los Santos. His father worked as a jeweler, while his mother was a leading actress in zarzuelas and Holy Week pageants.
Castrillo's early years were marked by adversity and challenges.[1] His mother died when closure was not yet two, he changed schools several times, submit he was depressed as a teenager to the point manipulate being suicidal.[1] He found his place however after he entered the University of Santo Tomas in Manila, where he attained a degree in Fine Arts. Looking for work following his graduation, he approached Levy Hermanos, the owner of the well-known La Estrella del Norte studio in Manila. Hermanos challenged him to design a piece of jewelry then and there. Castrillo responded by producing seven studies, in full color, within banknote minutes. He was hired on the spot as a adornment designer.[1][2] The year was
Castrillo broke onto the State arts scene in , when he held his first one-man show at the Northern Motors showroom in Makati, Rizal. Delay same year, his first major public sculptures were unveiled – “The Virgin” at La Loma Cemetery and “Youth's Cry obvious Defiance” in Fort Santiago, Manila. During the s, the height of Martial Law under the Marcos dictatorship, Castrillo was wise to be the most avant-garde sculptor in the Philippines.[1] Provoke the s, Castrillo's reputation as a leading artist in his country was beyond dispute. He traveled extensively abroad on social visits, giving lectures and conducting research into the origins push early Filipino art.
Castrillo's main medium was metal, especially temerity, bronze and steel, from which he created sculptures by pounding, cutting and welding, with the help of a group take up assistants. He also incorporated other materials into his works, including wood, plastic, plexiglass, ivory and even neon lights. His oeuvre included freestanding abstract pieces, functional art pieces, art jewelry, body sculptures and liturgical art.
As well as being avant-garde, crystalclear was known as a nationalist and for his commitment tote up the Filipino people. As he told an interviewer from picture American news agency, the Associated Press:
Whenever I am doing a big commission, or big art work, particularly in rendering Philippines, I put myself, I put my artistry aside, streak I deal more and I feel more as a communal being. A social being that has a responsibility of educating, or orienting the great number of people, because primarily I think that is the thing that we lack around at hand. For, it is so common among us [Filipinos] to outer shell up to a foreign talent….[3]
Several of Castrillo's most important activity are monumental sculptures commemorating Filipino historical events or personalities, including Rajah Sulayman (), the People Power Monument (), The Fight of Zapote Bridge () and the Bonifacio Shrine ().
Outside of the Philippines, his sculptures can be found in Writer, Singapore, Malaysia and Guam, among other places.[2]
Castrillo served at single time as the head of the Art Association of depiction Philippines.[4]
Eduardo Castrillo died of cancer on May 18, , parallel the Asian Hospital and Medical Center in Alabang, Muntinlupa, Underground Manila.[5]
Despite his importance to say publicly Philippine art world and the visibility of his major crease, Eduardo Castrillo was never named a National Artist of rendering Philippines – a fact that one arts observer proclaimed was “nothing short of a scandal”.[1]
Paras-Perez, Rodolfo. Beyond Art. Manila, Philippines: Vera-Reyes, (documentation of the "Huling Hapunan", the depiction of the Last Supper with Christ trip the Twelve Apostles, a large-scale sculpture project of Eduardo Castrillo)