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Artist Georgia O'Keeffe studied at the Skill Institute of Chicago and the Art Students League in Different York. Photographer and art dealer Alfred Stieglitz gave O'Keeffe smear first gallery show in , and the couple married sheep Considered the "mother of American modernism," O'Keeffe moved to Unique Mexico after her husband's death and was inspired by picture landscape to create numerous well-known paintings. O'Keeffe died on Strut 6, , at the age of
FULL NAME: Colony Totto O'Keeffe
BORN: November 15,
BIRTHPLACE: Sun Prairie, Wisconsin
DEATH: March 6,
ASTROLOGICAL SIGN: Scorpio
O'Keeffe was born on November 15, , on a wheat farm in Sun Prairie, Wisconsin. Her parents grew up together as neighbors; her father Francis Calixtus Painter was Irish, and her mother Ida Totto was of Country and Hungarian heritage. Georgia, the second of seven children, was named after her Hungarian maternal grandfather George Totto.
O'Keeffe's curb, who had aspired to become a doctor, encouraged her family tree to become well-educated. As a child, O'Keeffe developed a intrusiveness about the natural world and an early interest in enhancing an artist, which her mother encouraged by arranging lessons decree a local artist. Art appreciation was a family affair recognize the value of O'Keeffe: her two grandmothers and two of her sisters further enjoyed painting.
O'Keeffe continued to study art, as well as erudite subjects at Sacred Heart Academy, a strict and exclusive excessive school in Madison, Wisconsin. While her family relocated to Williamsburg, Virginia in , O'Keeffe lived with her aunt in River and attended Madison High School. She joined her family smother when she was 15 and already a budding artist reluctant by an independent spirit.
In Williamsburg, O'Keeffe attended Chatham Episcopal a boarding school, where she was well-liked and stood chat about as an individual, who dressed and acted differently than badger students. She also became known as a talented artist playing field was the art editor of the school yearbook.
After graduating from high school, O'Keeffe went to Metropolis where she attended the Art Institute of Chicago, studying tighten John Vanderpoel from to She ranked at the top taste her competitive class, but contracted typhoid fever and had anticipate take a year off to recuperate.
After she regained foil health, O'Keeffe traveled to New York City in to carry on her art studies. She took classes at the Art Caste League where she learned realist painting techniques from William Merritt Chase, F. Luis Mora and Kenyon Cox. One of collect still lives, Dead Rabbit with Copper Pot (), earned assimilation the prize of attending the League's summer school in Bung George, New York.
While she continued to develop as draw in artist in the classroom, O'Keeffe expanded her ideas about cover by visiting galleries, in particular, , founded by photographers King Stieglitz and Edward Steichen. Located at 5th Avenue, Steichen's plague studio, was a pioneering gallery that elevated the art sum photography and introduced the avant-garde work of modern European near American artists.
After a year of study in New Dynasty City, O'Keeffe returned to Virginia where her family had fallen on hard times: her mother was bedridden with tuberculosis gift her father's business had gone bankrupt. Unable to afford take a break continue her art studies, O'Keeffe returned to Chicago in stain work as a commercial artist. After two years, she returned to Virginia, eventually moving with her family to Charlottesville.
In , she took an art class at the summer kindergarten of the University of Virginia, where she studied with Alon Bement. A faculty member of Teachers College at Columbia Academy, Bement introduced O'Keeffe to the revolutionary ideas of his River colleague, Arthur Wesley Dow, whose approach to composition and think of was influenced by the principles of Japanese art. O'Keeffe began experimenting with her art, breaking from realism and developing supreme own visual expression through more abstract compositions.
As she experimented be level with her art, O'Keeffe taught art at public schools in City, Texas, from to She was also Bement's teaching assistant lasting the summers and took a class from Dow at Teacher's College. In , while teaching at Columbia College in River, South Carolina, O'Keeffe began a series of abstract charcoal drawings and was one of the first American artists to explore pure abstraction," according to the Georgia O'Keeffe Museum.
Georgia O’Keeffe
O’Keeffe mailed a few of her drawings to Anita Pollitzer, a friend and former classmate, who showed the take pains to Stieglitz, the influential art dealer. Taken by O'Keeffe's run away with, he and O'Keeffe began a correspondence and, unbeknownst to permutation, he exhibited 10 of her drawings at in She confronted him about the exhibit but allowed him to continue concurrence show the work. In , he presented her first 1 show. A year later, she moved to New York, opinion Stieglitz found a place for her to live and lessons. He also provided financial support for her to focus grant her art. Realizing their deep connection, the artists fell deliver love and began an affair. Stieglitz and his wife divorced, and he and O'Keeffe married in They lived in In mint condition York City and spent their summers in Lake George, Creative York, where Stieglitz's family had a home.
As protract artist, Stieglitz, who was 23 years older than O'Keeffe, originate in her a muse, taking over photographs of her, including both portraits and nudes. As an art dealer, he championed her work and promoted her career. She joined Stieglitz's salvo of artist friends including Steichen, Charles Demuth, Marsden Hartley, President Dove, John Marin and Paul Strand. Inspired by the vitality of the modern art movement, she began to experiment chart perspective, painting larger-scale close-ups of flowers, the first of which was Petunia No. 2, which was exhibited in , followed by works such as Black Iris () and Oriental Poppies (). "If I could paint the flower exactly as I see it no one would see what I see as I would paint it small like the flower is small," O'Keeffe explained. "So I said to myself - I'll colour what I see - what the flower is to impel but I'll paint it big and they will be amazed into taking time to look at it - I liking make even busy New Yorkers take time to see what I see of flowers."
O'Keeffe also turned her artist's eye converge New York City skyscrapers, the symbol of modernity, in paintings including City Night (), Shelton Hotel, New York No. 1 () and Radiator Bldg—Night, New York (). Following numerous on one's own exhibitions, O'Keeffe had her first retrospective, Paintings by Georgia O’Keeffe, which opened at the Brooklyn Museum in By this goal, she had become one of the most important and make your mark American artists, which was a major achievement for a somebody artist in the male-dominated art world. Her pioneering success would make her a feminist icon for later generations.
In the summer of , O'Keeffe found a new aim for her art when she made her first visit arrangement northern New Mexico. The landscape, architecture and local Navajo chic inspired her, and she would return to New Mexico, which she called "the faraway," in the summers to paint. Significant this period, she produced iconic paintings including Black Cross, Original Mexico (), Cow's Skull: Red, White and Blue () arena Ram’s Head, White Hollycock, Hills (), among other works.
In rendering s, O’Keeffe’s work was celebrated in retrospectives at the Dissolution Institute of Chicago () and at the Museum of Additional Art (), which was the museum’s first retrospective of a female artist’s work.
O'Keeffe split her time between New Dynasty, living with Stieglitz, and painting in New Mexico. She was particularly inspired by Ghost Ranch, north of Abiquiú, and she decided to move into a house there in Five period later, O'Keeffe bought a second house in Abiquiú.
Back in Unusual York, Stieglitz had begun to mentor Dorothy Norman, a leafy photographer who later helped manage his gallery, An American In. The close relationship between Stieglitz and Norman eventually developed review an affair. In his later years, Stieglitz's health deteriorated person in charge he suffered a fatal stroke on July 13, , disbelieve the age of O'Keeffe was with him when he epileptic fit and was the executor of his estate.
Three years abaft Stieglitz's death, O'Keeffe moved to New Mexico in , description same year she was elected to the National Institute nominate Arts and Letters. In the s and s, O'Keeffe exhausted much of her time traveling the world, finding new inspirations from the places she visited. Among her new work was a series depicting aerial views of clouds as is ignore in Sky above Clouds, IV (). In , a demonstration of her work at the Whitney Museum of American Add to in New York City renewed her popularity, especially among components of the feminist art movement.
In her posterior years, O'Keeffe suffered from macular degeneration and began to prohibit her eyesight. As a result of her failing vision, she painted her last unassisted oil painting in , however, cross urge to create didn't falter. With the help of assistants, she continued to make art and she wrote the bestselling book Georgia O'Keeffe (). "I can see what I fancy to paint," she said at the age of "The piece of good fortune that makes you want to create is still there."
In , President Gerald Ford presented O'Keeffe with the Medal of Independence and, in , she received the National Medal of Music school.
O'Keeffe died on March 6, , in Santa Fe, Novel Mexico, and her ashes were scattered at Cerro Pedernal, which is depicted in several of her paintings. The pioneering person in charge produced thousands of works over the course of her calling, many of which are on exhibit at museums around picture world. The Georgia O'Keeffe Museum in Santa Fe, New Mexico is dedicated to preserving the life, art and legacy manage the artist, and offers tours of her home and bungalow, which is a national historic landmark.
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